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Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside.

The Death of Germanicus, 1627

Nicolas Poussin

G313

Kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. The scene is described in the Bible: Matthew 26:51, Mark 14:47, Luke 22:47, John 18:3-10 (Then Simon Peter, having a sword, drew it and struck the high priest's slave (Malchus) and cut off his right ear." John 18:10)

The Betrayal of Christ, c. 1618–1620

Anthony van Dyck

G313

Portrait of Cardinal Pietro Maria Borghese

Portrait of Cardinal Pietro Maria Borghese, late 1620s–early 1630s

Pietro da Cortona (Pietro Berrettini)

G313

Part of a series of 12 paintings by Vouet of angels holding symbols of the Passion; other is 69.36.2

Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for Washing the Hands of Pontius Pilate, 1627

Simon Vouet

G313

Relief study for the marble relief of Pope Liberius Baptizing Neophytes, in the Cortile de Belvedere in the Vatican, adorning the Fountain of St. Damasus

Pope Liberius Baptizing the Neophytes, 1647–49

Alessandro Algardi

G313

The Denial of St. Peter, c. 1623

Gerrit van Honthorst

G313

Historical. Charles I, King of England. A helmeted Britannia, wearing violet drapery, holds steady the golden crown which England and Scotland, in red and yellow draperies, suspend above the head of the Infant Charles I. Two putti above support an escutcheon with the arms of the United Kingdom lightly indicated, and a putto below holds a torch to a heap of armor, spears, and dull red banners which the union makes no longer necessary.

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34

Peter Paul Rubens

G313

two goat herders seated on the left bank of a river amidst their flock; classical ruins at left side and background left center on hillside; across river stand two pair of deer under the shadow of a large tree

Pastoral Landscape, 1638

Claude Gellée (called Le Lorrain)

G313

vertical composition with Christ on cross wearing a tan loincloth and crown of thorns with six weeping women in jewel-tone robes; skeleton, male nude wearing a crown of snakes, male nude with hands behind his back, and calm-faced woman with blonde hair at foot of cross; received framed in elaborate frame with chased gold balls and faux tortoiseshell

Crucified Christ Triumphant over Death, Evil, and Sin, 1621

Paolo Guidotti, called Cavalier Borghese

G313

Mary Magdalen with long wavy blonde hair, seated, leaning her PL upper arm on a table with heavy turned leg; Mary wears a white gown, exposing her PR breast and arm, with a loop of gold fabric around her lap and PL leg; candle on table at Mary's elbow

Mary Magdalen, 17th century

Pasquale Ottino

G313

youth with a halo (Jesus) with long curly blonde hair wearing draping blue garments seated on a raised chair in URQ; male figures seated and standing, gesturing and conversing with each other; man in foreground wearing green skirts and brown shawl seen from back, turning toward PR; man with his PR hand on his chin wearing a blue turban near center with heavy-set man in brown turban behind him, looking over PR shoulder; columns in ULQ; red curtain at top; papers and books in LRQ; circular frame with high relief carvings on fruits and pinecones

Christ Among the Doctors, c. 1685

Luca Giordano

G313

Part of a series of 12 paintings by Vouet of angels holding symbols of the Passion; another is 69.36.1 (angel holding vessel and towel for washing the hands of Pontius Pilate)

Angels with Attributes of the Passion, the Superscription from the Cross, 1627

Simon Vouet

G313

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